Creator and director. I shoot, direct and edit for Mercedes-Benz, Bentley, Aston Martin, Lotus and Lexus, solo when the job suits it and with a team when it needs one.
Concept, shoot, direct, edit and grade. A hero film for a launch or a product, delivered ready to run on any channel you own.
A shoot built to feed your own socials. Vertical, square and landscape cuts, stills, and enough material to post for weeks. You own all of it.
The film goes out to 70,000 followers before it goes anywhere else, and the brand gets the file afterwards.
Car launches, media days and press events. Covered solo or with a crew depending on the scale, with a first cut back while it still matters.
I concept, shoot, direct, edit and grade. On larger jobs I direct a crew and stay the single point of contact from the first call to the final file.
Vertical, square and landscape from the same shoot, graded, with usage agreed up front so nothing gets stuck in legal afterwards.
A silent cut where the work should speak for itself, a narrated cut where the product needs explaining. Both come out of the same day.
I have been on manufacturer events since 2019. I know the embargoes, the running order and when not to be standing in front of the car.
Press fleet access means a fashion, hotel or product shoot can have a Bentley or a Defender in frame without hiring one.
A film made for my own channels that Mercedes then reposted globally. It passed 11 million combined views, which put the work in front of an audience many times my own at no media cost to them. The clearest example of why a brand repost is worth more than a follower count.
This slot is for a job you were hired to shoot rather than invited to. Name the client, what they briefed, how many assets they received and how fast. One solid example carries this entire half of the page.
Lexus placed an RZ550e with me long term. Instead of a single burst it became a run of films released across half a year, each one reaching people the last one missed. This is what an ongoing partnership looks like next to a one-off post.
I graduated in 2020 and spent lockdown teaching myself to shoot cars. Since then I have worked with most of the manufacturers you would want on a reel, shot launches and media days for brands and agencies, and built an audience of 70,000 from nothing with no paid promotion.
I can run a shoot on my own or direct a team, and I edit and grade everything myself either way. Based in London, working across the UK and Europe.